This is something I’ve been trying to focus on for a couple of classes now. When I find I’m having trouble, I like to go back to the basics.
When we execute a drawing motion, such as for honte-uchi, close attention should be paid to what we do with our weight. This applies not only to executing the techniques in one- and two-man kihon, but in kata as well. If we execute techniques incorrectly during kihon practice, improper execution in kata is almost guaranteed.
Honte-uchi is not the only place this issue exists. It’s everywhere in kihon and in kata.
![](https://i0.wp.com/www.windsongdojo.com/wp-content/uploads/2020/03/080507-pic11.jpg?resize=750%2C500&ssl=1)
Let’s start with our normal honte-no-kamae posture.
![](https://i0.wp.com/www.windsongdojo.com/wp-content/uploads/2020/03/080507-pic21.jpg?resize=750%2C500&ssl=1)
As we draw back with our hand, it is exceedingly easy to allow our weight to shift into our rear foot. This weight transfer to the back foot requires a weight shift to the front foot before we can move the back foot forward, taking precious time. This photo is slightly exaggerated to demonstrate the weight in the rear foot.
![](https://i0.wp.com/www.windsongdojo.com/wp-content/uploads/2020/03/080507-pic31.jpg?resize=750%2C500&ssl=1)
Instead of the weight going back, we should allow our weight to sink straight down. This provides a feeling of stability and structure, as well as being able to move forward or backward. The legs take on a feeling of stored energy much like a compressed spring.